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Bob Marley Mausoleum Tour Review

Robert Nesta Marley, more popularly known as Reggae superstar and icon Bob Marley, was born cradled in the hills of Nine Mile, Jamaica. This small village tucked within the St. Ann countryside still possesses his maintained childhood home. After his worldly passing in 1981, an Ethiopian Orthodox Church service and grand state funeral at the National Stadium were held in the capital city of Kingston. Bob Marley’s remains were then transported in a motorcade to Nine Mile (deliberately driving through Kingston Music Streets, passing his uptown home and Tuff Gong Recording Studio). As his life came full circle, Nine Mile is also where he was laid to rest; his coffin was carried to the top of the highest hill in the village. The Bob Marley Mausoleum Tour takes visitors on a physical and transcendent journey to the birthplace, childhood home, and resting place of the Legend. A scenic trip to the site travels through a series of narrow and winding country roads.

Bob Marley Nine Mile Tour, St. Ann

The Bob Marley Nine Mile Tour offers a unique opportunity for Reggae fans to pay homage to the dreadlocked icon who soared to international superstardom from Kingston Music Streets. The sizeable property can be easily identified from the roadway thanks to tall buildings with Bob’s image, framed by a compound wall. Locals on the outside may offer an additional walking tour through lush Nine Mile landscape to small farmlands and fields of cultivated marijuana plants. Enter through the gates to reveal multiple decorated shops adorned with all kinds of Marley memorabilia and Rastafarian-coloured products for purchase.

Bright murals and the red, green and gold of the Ethiopian flag accent the property, enveloping the welcoming vibe of the site. Unwind at a clubhouse-style bar with surrounding vistas of the village before and /or after a tour timeslot. This second-floor lounge area grants great views over the quiet hill interior, with a side of drinks and light snacks. As the Bob Marley Mausoleum Tour begins, popular tunes that Bob reportedly penned on Kingston Music Streets carry through the venue as a live band shares a brief performance.

Bob Marley‘s Early Life

Following this spirited welcome, tales of a young Bob Marley begin. Rastafarian tour guides will take you pass a view of family burial spots, and up a slope path to a special place known as Mount Zion. Original artefacts and sites referenced in some of his most beloved songs are still found at here, where he reportedly meditated on a regular basis.

The natural mystic blows in the air, and a familiar aroma adds a relaxing feel-good vibe to the site. An outdoor kitchen may be bubbling with a pot of medicinal marijuana tea or a smoking pan of jerk chicken for guests to indulge in if they so choose. Where better is there to appreciate the herb widely known to inspire one of the world’s greatest musicians? At this cannabis-friendly estate, it is easy and embraced to light up if feeling inclined to do so. There also rests a small cottage, Marley’s single-bedroom childhood home before he moved at age 13 to somewhere known today as Kingston Music Streets in Trench Town.

Bob Marley Mausoleum  

The Marley mausoleum holds his resting place, a marble tomb shared with his half-brother Anthony Booker. Next door rests the tomb of their mother, Cedella Booker, with whom Bob grew up with in Nine Mile. This experience exposes visitors to religious elements and cultural practices of Rastafarianism, which greatly influenced Bob throughout life. As a show of respect to the faith and sacredness of the space, shoes nor photography are not allowed within the mausoleums. Fans and supporters are able to pay their respects and leave offerings at Bob Marley’s tomb and at a small chapel across from the mausoleum. Following the tour, guests are welcomed to dine at the on-site restaurant and patronize the stocked gift shops.

For a Bob Marley fan, the Bob Marley Mausoleum Tour can be genuinely moving; respectful tributes, his crafted resting place, and memories ingrained into the grounds underscore this Nine Mile Tour. If you ever want to embark on a journey from Kingston Music Streets to this burial site of a world-renowned Jamaican legend, be sure to take Culture for People merch along for the occasion.

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What Music Do Jamaicans Listen To

What Music influenced Jamaican Music?

Before the 1950s, most residents got musical entertainment from live shows and concerts. When the island was still a British colony in the 1920s and ’30s local orchestras specialized in big band jazz. Cost of vinyl records and players was prohibitive, only owned by few wealthy Jamaicans. The formation of Radio Jamaica and Rediffusion (RJR) in 1950 popularized British and American songs. RJR’s nightly music and daily radio shows are what exposed most Jamaicans to recorded tunes for the first time. The station covered a range of genres from Classical music through Pop, R&B, Country, and American folk rock. Residents were also listening to radio stations based in southern USA around this time, which played Country music. During the 1940s and ’50s feature films starring singing cowboys were particularly popular with local audiences, which gave Country music an extra boost.

In the years following World War II (WWII) many Jamaicans travelled to southern USA for seasonal work. Mass urbanisation, cheap production of radios, and the rise of portable sound systems resulted in an urban dance upsurge. USA block parties had R&B music booming in the streets through speaker boxes. Jamaicans began to replicate this back home, developing the staple of the island’s sound system culture. The early days of sound systems mainly had American R&B played, but local flavour was soon added! In 1954 a music industry emerged following the opening of Jamaica's first recording facility, Federal Studios. DJs battling for sound clash bragging rights sought song exclusivity when playing on Kingston’s pulsating streets. Blaring locally-recorded tunes through the speakers elevated homegrown sounds and artistes.

Jamaica’s ever-changing music scene mainly sampled sounds of USA and Britain in years past. The types of music Jamaicans listen to have transformed over time, and continue to develop new genres and subgenres. Modern Jamaicans primarily enjoy native reggae and dancehall. Mainstream international music earns considerable play locally as well, especially R&B, hip hop, and pop; soca music has created its own resident subculture. Before today’s popular forms, other musical genres relished their respective heydays in Jamaica.

What Music influenced Jamaican Music?

Before the 1950s, most residents got musical entertainment from live shows and concerts. When the island was still a British colony in the 1920s and ’30s local orchestras specialized in big band jazz. Cost of vinyl records and players was prohibitive, only owned by few wealthy Jamaicans. The formation of Radio Jamaica and Rediffusion (RJR) in 1950 popularized British and American songs. RJR’s nightly music and daily radio shows are what exposed most Jamaicans to recorded tunes for the first time. The station covered a range of genres from Classical music through Pop, R&B, Country, and American folk rock. Residents were also listening to radio stations based in southern USA around this time, which played Country music. During the 1940s and ’50s feature films starring singing cowboys were particularly popular with local audiences, which gave Country music an extra boost.

In the years following World War II (WWII) many Jamaicans travelled to southern USA for seasonal work. Mass urbanisation, cheap production of radios, and the rise of portable sound systems resulted in an urban dance upsurge. USA block parties had R&B music booming in the streets through speaker boxes. Jamaicans began to replicate this back home, developing the staple of the island’s sound system culture. The early days of sound systems mainly had American R&B played, but local flavour was soon added! In 1954 a music industry emerged following the opening of Jamaica's first recording facility, Federal Studios. DJs battling for sound clash bragging rights sought song exclusivity when playing on Kingston’s pulsating streets. Blaring locally-recorded tunes through the speakers elevated homegrown sounds and artistes.

Jamaican Music Genres

Mento (1940s)

Mento is Jamaican folk songs that emerged during the 1940s, and prevailed on the local music scene following WWII until the 1950s. It’s the country’s earliest surviving indigenous melody form, with instrumentation sharing similarities with America’s Country Western music and Trinidad’s Calypso music. Mento mixed lyrics with guitar, rumba box, bongo and banjo sounds. 

Blue Beat (1950s)

Mento remained a popular homegrown style until the development of Jamaican R&B (Blue Beat) in the late ‘50s. Local artistes began to record music by renting studio facilities to remake international tunes with a stylistic twist. This new sound was initially identical to American R&B but soon developed its own sound which ultimately led to Ska.

Ska (1960s)

Fusing Mento, Jazz, and R&B was a popular sound around the island throughout the early 1960s. Jamaican musicians, who had been engaged in swing and R&B, developed a native dance music known as ska. Ska is a fast-paced genre characterised by a jumpy pulse; its upbeat rhythm reflected the mood in the then-newly autonomous country during independence from Britain in 1962! The jubilant melodies captured the country of Jamaica’s mood of liberation, but ska’s dominant sound had run its course by the mid-1960s.

Rocksteady (1960s)

Some artistes considered Ska too fast to follow so they adapted to a gentler tempo. Rocksteady grew in popularity when rhythms became more relaxed, making songs easier to dance to. The main difference between Ska and Rocksteady is the beat though dances were similar in movement. Rocksteady’s musical style brought fame to performers like the Heptones, Hopeton Lewis, and Alton Ellis, to dominate the local music scene for 2 years before being superseded by Reggae.

Reggae (1960s)

In the late 1960s the island was on the brink of civil war, with political unrest and volatile streets. Lyrics became more conscious and words of revolution changed the sound vibe; Reggae reflected this new Jamaica. With a sudden rise in the presence of Rastafarianism, Rocksteady started to fuse with traditional local influences including the Mento shuffle and Buru/Nyabinghi drumming rhythms. Foreign influences from calypso, R&B, and funk also played part. Reggae’s name was reportedly unintentionally coined from the 1968 single "Do the Reggay" by Toots and the Maytals. The slower resultant beat became a signature sound of a new style and genre.

3 principle reggae rhythms include:

  • Steppers: This features a steady pulse on the bass drum, often doubled by the bass guitar. "Red, Gold, and Green" by Burning Spear is a strong example of this beat.

  • Rockers: This offers a similar pulse but with more space for syncopation. It’s closely associated with the rhythm section of Sly and Robbie, who helped develop the famous "rub-a-dub" sound.

  • One drop: This features a steady pulse with a backbeat accent from drums. It acquired its name from the exemplar song "One Drop" by Bob Marley & the Wailers.

Through trailblazing artistes like Bob Marley and the Wailers, Reggae has since grown to become a global sensation recognized in 2018 as a cultural institution by UNESCO.

Dancehall (1970s)

Dancehall genre emerged using digital reggae-influenced ‘riddims’. The cultural sounds prevalent in the late ‘70s were now accompanied by a more abrasive musical style. A trending crowd appeal in the ‘70s to dance at local parties blossomed in the ‘80s and cultivated the art of deejaying. Artistes of the 1980s and ’90s refined the practice of deejaying over instrumentals (referred to as ‘toasting’) to become heirs to reggae’s politicization of music. Dancehall became not just the place where a bash was held, but also the label for the vibrant genre itself.

Popular Jamaican music has always been a cauldron of native creativity, mixed with global influences. The answer to, “what music is popular in Jamaica?” has varied over the years. Our cultural styles continue to inspire global modern music, completing the creative cycle that will undoubtedly continue to produce compositions lined by our indigenous sounds.

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Kingston Music Streets

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Kingston Music Streets, recognizes and celebrates the streets of Kingston, where early Jamaican music thrive.

Jamaica's four main music genres: with Ska and Rocksteady being the earliest music genres; Reggae and Dancehall which dominated the Jamaican music scene since its iconic rhythms were first created. All four genres developed during the early years of the Jamaican music experiment. 

This phenomenal 'experiment' can be credited to Kingston's early Sound System Operators who, through their own individuality, determination, and rivalry would change the course of the Jamaican dance scene of the 1950s which was heavily dependent on North American Rhythm and Blues music, when they started cutting their own tunes by organizing local musicians to experiment playing a new sound, thus paving the way to becoming the pioneers of Jamaica's music industry.

These Sound System Operators started out playing on street corners, and open lawns around Kingston and grew more popular along certain streets. Most notable are Orange street( known as 'Beat Street'), Music Street, Beeston Street, and Charles Street, where the established and aspiring music influencers operated and called their home. This new music created Reggae Superstars, legends and world-renowned sound system selectors. These established the foundation of music culture rooted across the nation today. 

The Kingston Music Streets are a must visit on your next trip to Jamaica.

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